
Introduction
In 1971, The Who released “Who’s Next,” an album that would solidify their place in rock history. It emerged from the ashes of the ambitious but abandoned “Lifehouse” project, transforming into a collection of powerful tracks that still resonate today. This album not only showcases The Who’s musical prowess but also their ability to innovate within the rock genre. Let’s explore the story behind “Who’s Next,” its creation, and its lasting impact on music and culture.
Attribute | Details |
---|---|
Release date | 2 August 1971 (UK), 27 August 1971 (US) |
Album title | Who’s Next |
Genre | Hard rock, arena rock |
Total runtime | 43:39 |
Number of tracks | 9 |
Record label | Track Records (UK), Decca Records (US) |
Recording studio | Olympic Studios, London; Stargroves, East Woodhay |
Producer(s) | The Who, Glyn Johns (associate producer) |
“Who’s Next” was a critical and commercial triumph, reaching number one in the UK and number four in the US. It is often hailed as one of the greatest albums of all time, with songs like “Baba O’Riley” and “Won’t Get Fooled Again” becoming anthems of a generation. Pete Townshend, the band’s guitarist and primary songwriter, once said, “I wanted to make a record that was the best we could possibly do.” His vision, combined with the band’s raw energy, resulted in an album that continues to influence musicians and captivate listeners.
The Genesis of “Who’s Next”
The journey to “Who’s Next” began with Pete Townshend’s ambitious “Lifehouse” project, a multimedia rock opera intended to follow their successful album “Tommy.” However, the complexity of “Lifehouse” led to its abandonment, leaving Townshend and the band to salvage its best tracks for a new album. This decision marked a pivotal moment in The Who’s evolution, transitioning from grandiose concepts to a more focused rock sound.
The Who, comprised of Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon, were at the height of their creative powers. Their previous albums, such as “Tommy” and “Live at Leeds,” had established them as one of the leading rock bands of the era. With “Who’s Next,” they sought to build on this legacy, crafting songs that would stand the test of time.
The album’s main creative force was Pete Townshend, whose songwriting and guitar work were complemented by the powerful vocals of Roger Daltrey, the dynamic drumming of Keith Moon, and the intricate bass lines of John Entwistle. Additionally, the album featured contributions from guest musicians like Dave Arbus on violin for “Baba O’Riley” and Nicky Hopkins on piano.
Band Member | Instrument/Role |
---|---|
Roger Daltrey | Lead vocals |
Pete Townshend | Guitar, synthesizers, organ, vocals |
John Entwistle | Bass, brass, vocals |
Keith Moon | Drums, percussion |
The recording costs for “Who’s Next” were financed by the band’s record label, with a budget that allowed for experimentation and innovation. The album’s title and artwork were inspired by the monolith from “2001: A Space Odyssey,” captured in a photograph by Ethan Russell. This iconic image, showing the band beside a concrete piling, has become synonymous with the album’s legacy.
Recording Process
The recording sessions for “Who’s Next” were as dynamic as the album itself. Initially, the band recorded at Mick Jagger’s house using the Rolling Stones Mobile Studio, before relocating to Olympic Studios in London. These sessions, held between April and June 1971, were marked by a spirit of experimentation, with Glyn Johns serving as the associate producer. His emphasis on sound quality was crucial in capturing the band’s raw energy and innovation.
Key personnel included recording engineers and producers who brought their expertise to the project. Glyn Johns, known for his work with Led Zeppelin and The Rolling Stones, played a pivotal role in shaping the album’s sound. His experience and attention to detail ensured that each track resonated with clarity and power.
Equipment | Details |
---|---|
Microphones | Neumann U67, Shure SM57 |
Mixing Desk | Helios Console |
Guitars | Gibson Les Paul, Gretsch 6120 |
Amplifiers | Hiwatt, Fender Bandmaster |
Synthesizers | ARP 2600, EMS VCS3 |
The recording process was not without its challenges. The band faced technical difficulties and creative tensions, but these obstacles only fueled their determination to create something extraordinary. Anecdotes from the sessions reveal moments of both frustration and triumph, as the band pushed the boundaries of what was possible in rock music.
Glyn Johns, as the associate producer, brought a wealth of experience to the project. His previous work with artists like Led Zeppelin and The Rolling Stones was instrumental in shaping the album’s sound. His meticulous approach ensured that each track was polished to perfection.
Producer | Artist | Album | Year |
---|---|---|---|
Glyn Johns | Led Zeppelin | Led Zeppelin IV | 1971 |
Glyn Johns | The Rolling Stones | Sticky Fingers | 1971 |
Commercial Performance and Reception
“Who’s Next” was met with both critical acclaim and commercial success. It topped the UK charts and reached number four on the US Billboard 200, cementing The Who’s status as rock legends. The album’s innovative use of synthesizers and powerful anthems captivated audiences worldwide.
The album’s success was not limited to chart positions. It was certified 3× Platinum in the US and Platinum in the UK and Italy. Its impact was further recognized through numerous accolades and a lasting legacy in rock music.
Studio Album | Year | Producer |
---|---|---|
My Generation | 1965 | Shel Talmy |
A Quick One | 1966 | Kit Lambert |
The Who Sell Out | 1967 | Kit Lambert |
Tommy | 1969 | Kit Lambert |
1971 | The Who, Glyn Johns | |
Quadrophenia | 1973 | The Who |
In 1971, several other landmark albums were released, including Sticky Fingers by The Rolling Stones, Led Zeppelin IV by Led Zeppelin, and Aqualung by Jethro Tull. These albums, alongside “Who’s Next,” defined the era and pushed the boundaries of rock music.
“Who’s Next” received numerous awards and recognitions, including a spot on Rolling Stone’s list of the “500 Greatest Albums of All Time.” Its influence is evident in the works of countless artists who followed in The Who’s footsteps.
Track Analysis
“Who’s Next” featured several singles that became classics in their own right. “Won’t Get Fooled Again” and “Baba O’Riley” were both released as singles, with the former reaching number nine in the UK and number fifteen in the US. These tracks showcased the band’s innovative use of synthesizers and powerful lyrics.
Track Name | Length | Writing Credit |
---|---|---|
Baba O’Riley* | 5:08 | Pete Townshend |
Bargain | 5:34 | Pete Townshend |
Love Ain’t For Keeping | 2:10 | Pete Townshend |
My Wife | 3:41 | John Entwistle |
The Song Is Over | 6:14 | Pete Townshend |
Getting In Tune | 4:50 | Pete Townshend |
Going Mobile | 3:42 | Pete Townshend |
Behind Blue Eyes* | 3:42 | Pete Townshend |
Won’t Get Fooled Again* | 8:32 | Pete Townshend |
Note: Tracks marked with * were released as singles. “Baba O’Riley” and “Won’t Get Fooled Again” became iconic anthems, while “Behind Blue Eyes” remains a fan favourite.
Song Meaning and Lyrics
The lyrics of “Who’s Next” explore themes of rebellion, identity, and societal change. “Won’t Get Fooled Again” is a powerful anthem about political disillusionment, with lines like “Meet the new boss, same as the old boss” capturing the cyclical nature of power. Pete Townshend wrote the song as a critique of the revolutionary fervor of the 1960s, emphasizing the need for genuine change rather than superficial shifts in leadership.
“Baba O’Riley,” often mistaken for “Teenage Wasteland,” was inspired by Townshend’s spiritual journey and the teachings of Meher Baba. The song’s lyrics reflect a sense of longing and the search for meaning in a chaotic world. It combines elements of rock and electronic music, creating a soundscape that captures the spirit of the era.
“Behind Blue Eyes” delves into themes of isolation and inner turmoil. The lyrics, written by Townshend, express the struggles of a man burdened by expectations and misunderstandings. The song’s introspective nature and haunting melody have resonated with listeners for decades.
Touring and Promotion of Who’s Next
The Who embarked on an extensive tour to promote “Who’s Next,” performing across the UK and the US. The tour featured iconic performances at venues like the Forest Hills Tennis Stadium in New York and the Rainbow Theatre in London. The band’s live shows were renowned for their energy and intensity, drawing large crowds and critical acclaim.
In 1971, The Who played over 30 shows, including notable performances at the Oval Cricket Ground in London and the Metropolitan Sports Center in Minnesota. They shared the stage with other prominent artists of the time, creating unforgettable musical experiences for fans.
Influences and Legacy
“Who’s Next” was influenced by a range of musical styles, from classical to electronic. The album’s innovative use of synthesizers and its fusion of rock and orchestral elements set a new standard for rock music. Artists like David Bowie and Queen have cited The Who as a major influence on their work.
Influences on “Who’s Next” | Artists Influenced by “Who’s Next” |
---|---|
Meher Baba | David Bowie |
Terry Riley | Queen |
Classical Music | U2 |
1971 was a year of cultural and global significance. The Concert for Bangladesh, organized by George Harrison, highlighted the power of music to effect change. Meanwhile, the release of albums like Led Zeppelin IV and Sticky Fingers demonstrated the diversity and innovation within the rock genre. These events, alongside “Who’s Next,” helped shape the musical landscape of the time.
Five Things about Who’s Next
“Who’s Next” is more than just an album; it’s a cultural milestone. Here are five fascinating facts about this iconic record:
Fact | Details |
---|---|
Origin | Developed from the abandoned “Lifehouse” project |
Artwork | Inspired by “2001: A Space Odyssey” |
Innovative Use | Extensive use of synthesizers |
Chart Success | Reached #1 in the UK |
Legacy | Influenced countless artists and genres |
Media and Television Usage
The songs from “Who’s Next” have been featured in various media, enhancing their cultural impact. Here’s a list of notable appearances:
Song Title | Media | Year |
---|---|---|
Baba O’Riley | The Continental, Jerry & Marge Go Large | 2023, 2022 |
Behind Blue Eyes | War Dogs, Supernatural | 2016, 2015 |
Critical Reviews and Retrospectives
“Who’s Next” has been lauded by critics and fans alike. Its innovative sound and timeless themes have earned it a place among the greatest albums of all time. Publications like Rolling Stone and NME have praised its artistry and impact on rock music.
After Who’s Next
Following the release of “Who’s Next,” The Who continued to evolve, releasing albums like “Quadrophenia” and “Who Are You.” The band’s lineup changed over the years, with the tragic loss of Keith Moon in 1978. Despite these challenges, The Who’s music remained influential, and they continued to tour and record.
Remasters and Reissues
“Who’s Next” has been reissued and remastered multiple times, each version offering fans new insights into the album’s creation. These releases often include bonus tracks and remastered audio, providing a richer listening experience for both new and longtime fans.
Conclusion
“Who’s Next” remains a cornerstone of rock music, a testament to The Who’s creativity and innovation. Its enduring relevance is a tribute to the band’s ability to capture the spirit of their time while pushing the boundaries of what rock music could be. As we reflect on this iconic album, its legacy continues to inspire and captivate new generations of listeners.
Further Reading
For those interested in exploring more about The Who and similar genres, consider these resources:
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