(previously known as The Monster Shop, previously known as The Doghouse)
Welcome to Riffology, you’re probably wondering what’s going on and why all of this stuff is here? Well, let me tell you a story…
In the beginning there was a local radio show called The Doghouse on Derby Sound Community Radio. Chris and Neil played banging rock and metal tunes that virtually nobody heard but they had a bloody great time doing it all the same. After a while, Chris and Neil decided they wanted to branch out a little and so created a new show on Spotify called The Monster Shop. This didn’t have any of the constraints of local radio, they could play what they liked, the shows could be as long or short as they liked and they didn’t need a music license because of Spotify’s awesome music+talk concept. Happy days…
Just as the boys were settling into their new home on Spotify, the suits in charge at Spotify decided that they needed to make more money and music+talk was too expensive, so they were going to close it down. Bad times…
Undeterred the boys decided to venture into the world of podcasting and setup the Hopeland podcast, which was nothing to do with Music at all and would be a clean break. They got bored of this quite quickly and realised that they could do a podcast show about the Rock albums that they loved. So, that’s what they did and the Monster Shop was born again as a podcast. Happy days…
Until Meta and Google algorithms got confused about what The Monster Shop was, Meta would routinely limit our accounts for going against their community standards by trying to sell people things by deception (we’ve never had a store) and Google never really understood and so didn’t send any traffic. Which mean’t nobody could find the show. Then, one frosty morning, the boys had the idea of Riffology, it would be exactly the same as The Monster Shop but hopefully Meta and Google wouldn’t get so confused. Happy days!
And this dear reader, is where you find us today. What? I didn’t explain why there are hundreds of blog posts about iconic albums here? Well, the story behind those is much simpler. Neil loves facts and has a tiny memory and so way back from the Doghouse days he used to write a sheet about the artists and albums that were being played on each show so he could entertain listeners with interesting facts. This obsession with ‘the sheet’ grew throughout the history of the show until Neil decided it would be easier just to dump them in a blog rather than just write them up and delete them every week. This site is basically that brain-dump of information about albums we’ve either covered on the podcast or have talked about covering.
Who are Chris and Neil?
Neil Johnson – A metalhead at heart, Neil was born in the 70s and loves everything metal has brought with it, from hair to extreme death. By day, he works in IT, but his true passion lies in the music he listens to daily.
Chris Baldwin – An alt rock pop punk fan, Chris was born in the 80s and plays every instrument known to man. Heโs been somehow involved with every band within a 100-mile radius of the studio in Swadlincote and has heard things you wouldnโt believe.
Whether you’re a lifelong fan or new to these genres, our podcast offers an engaging and insightful journey through the music that defines generations.
If you liked any of the content on the site, or you’re just curious, the last few podcast episodes are here:
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Remember when payday meant choosing which CD or vinyl you were blowing it on? Standing in HMV doing the mental maths, convincing yourself two albums was basically essential. Riffology is Neil and Chris chasing that feeling again, one classic record at a time.
This is a show about the albums that raised us โ
Nirvana, Pearl Jam, Motley Crue, Def Leppard,
Iron Maiden, Megadeth, Pink Floyd, Radiohead,
Skunk Anansie, Gojira, Soulfly and the rest.
If itโs 25+ years old, loud and iconic, weโre in.
Each episode is two Gen X mates diving into studio sessions, producer chaos and band drama plus the joy of taped-over cassettes, dodgy car stereos and sitting on the floor with a record sleeve.
We nerd out when we should: Albini vs Vig, room-miked vs close-miked,
Neve consoles, dynamic-range disasters and those โhow did this get approved?โ moments.
If you grew up when albums were events, this is your place. Some weeks itโs an old favourite; other weeks itโs something you abandoned in โ94. Either way, Riffologyโs here to talk rubbish, tell stories and remind you why these records mattered.
When Evil Disco Becomes a Genre
Hosts: Neil & Chris
Duration: ~96 minutes
Release: 3 January 2025
Episode Description
Static-X’s 1999 debut Wisconsin Death Trip marked a pivotal moment in industrial metal, blending crushing riffs with techno grooves to create what Wayne Static called “evil disco.” Neil dives deep into his personal connection with this record, recounting a hilarious tale of getting a server rack wedged in a bank lift while this album blasted in the background during his IT days.
The album emerged from a band still finding their sound, influenced by Prong and Fear Factory but carving out something distinctly their own. Warner Brothers’ gamble on signing a heavy band in 1999 paid off, with Wisconsin Death Trip eventually going platinum despite the music industry’s struggles with piracy and the Napster era.
What You’ll Hear:
- How Billy Corgan of Smashing Pumpkins helped form Static-X and nearly joined the band
- The innovative DIY piezoelectric drum trigger system Koichi Fukuda built for recording
- Why the band wanted “Wisconsin Death Trip” as their name but the label said it was too long
- The album’s origins from a creepy 1973 book about 1890s rural Wisconsin deaths
- How producer Ulrich Wilde stepped in when they couldn’t afford Terry Date
- The recent reimagined vinyl release featuring never-before-seen studio footage of Wayne
Featured Tracks & Analysis:
Push It dominated rock clubs of the era, while Love Dump showcases the band’s signature ability to shift from staccato Prong-style riffs into hypnotic rhythmic grooves. The closing track December, written during Wayne’s time in Deep Blue Dream with Billy Corgan, feels distinctly different from the rest of the album. The hosts discuss how the album is full of hidden movie samples, from Planet of the Apes to the 1989 film Begotten.
Tangential Gold:
- Neil’s catastrophic server rack incident involving a bank lift, hung-over IT workers, and Paradise Lost on repeat
- A spirited debate about AI creating rocket engines versus writing ballads
- The Justin Hawkins vs Youngblood feud and why they should just do a song together
- Chris’s decorating playlist and why Static-X is perfect for mindful painting
- The wild west days of 90s IT before change management forms existed
Why This Matters:
Wisconsin Death Trip arrived at a creative peak for rock music, when bands were genuinely innovating rather than being derivative. The hosts explore how this album, recorded in just four weeks, influenced an entire generation and soundtracked countless video games from Duke Nukem to Brutal Legend. It’s a reminder of what happens when musicians experiment without boundaries.
Perfect for: Industrial metal fans, anyone nostalgic for late-90s rock clubs, IT workers with war stories, and listeners who appreciate albums that still sound fresh 25 years later.
You can find us here:
- Blog: https://riffology.co
- All Episodes: https://podkit.riffology.co/podcast
- iHeart: https://www.iheart.com/podcast/1323-riffology-iconic-rock-alb-176865775
- Apple: https://podcasts.apple.com/gb/podcast/riffology-iconic-rock-albums-podcast/id1691556696
- Spotify: https://open.spotify.com/show/1LIU9mein7QMw346q20nyy
- X: https://x.com/RiffologyPod
- Bluesky: https://bsky.app/profile/riffology.co
- Facebook: https://www.facebook.com/riffology
- Email: [email protected]

